Sunday, November 30, 2008

B.B. Kildare



So last post I made up a random character in about an hour. I wound up really hating the pic and wanted to redo it. I spent hours on it, and along the way, I had to come up with a story to connect with the character so I could create her. I mean, lets be honest, this started off as cheesecake. I really didn't care and because of that it sucked. Hardcore

You can find the full explanation of the process on Deviant Art. Here I will regail you with the story.

First

THE SETTING
Some time in the near future, a flesh eating airborne virus is born called “the mist.” There are two versions of the mist pathogen a plant version, and an animal version. There are three stages, infection, growth, and consumption. In the case of animals, the infection begins in the brain. Initially, the virus takes up residence slowly, allowing the host to grow and mature. At a certain point, which is different for all individuals, the virus begins to stimulate hormone production. This causes the host to grow in mass. While stimulating hormone production the virus also stimulates cancerous growths. At a certain critical mass, the virus stops producing and starts consuming. Eventually a one to one conversion rate is reached, for every one cell there is one virus and the host eventually becomes an airborne bluish mist.

The virus takes anywhere from 10 years to 10 days to kill, but it has a near 100% kill rate. Eventually, so many had died, and there was so much virus mist that the world became covered in a 1000ft thick sheet of mist. The virus can’t survive in higher altitudes. All of the costal and plains areas of the worlds were abandoned and the survivors now reside in the mountainous areas.

In the hundreds of years that followed, the corporate entities became the governing body when governments proved ill equipped to deal with the crisis that faced them. This led to a kind of medieval pseudo governmental organization; corporate vice presidents became lords, and the CEOs became kings. During this transition they controlled and manipulated education and the media. Society regressed and what was technology and science became magic. Electricity became mana. Common knowledge became unknown and forbidden secrets. Scientists, inventors, and the technologically adept became the Magi. The Magi control all of the secrets of science and as such control the everyday workings of society. They induct anyone whom they deemed intelligent enough to deal with technological and scientific data and if the inductees don’t make it through the training, they are exiled to the mist. The Magi are funded by the CEOs, and enjoy more luxury than any one. Because of this they are really just tools of the governing body.

The world itself has long run out of oil, and as such the prevailing fuel has become water. The hydrogen in the water molecule is used for a cold fusion reaction. Though the Magi call it “mana extraction” the engines that extract the energy are called “Extractors.” Water is now the hot commodity. Ground water and rainwater are used for the things like drinking and washing. The Magi, who control and focus the weather, strictly control Rainwater. Ground water is strictly controlled by the corporate entities that pump and distribute it. Water that is used as a means of energy needs to be mined out of the mist. Now, despite our planet being over 70% covered in water, the CEOs and VPs have manipulated the information. The average citizen thinks that water is a scarce resource.

The mages, unwilling to lose what power they have, support the corporate assertion, and vehemently hunt and kill anyone who opposes this idea. Their excuse is that by encouraging the belief that water is plentiful, they are encouraging people to waste water, and this is harmful to society and tantamount to treason.

Water is mined from huge air ship powered by “magic” that Magi maintain strict control of. If the crews of any of these ships begin to hint at the possibility of water being plentiful they are quickly brought in line with the corporate mantra, or disposed of.

In recent years, population control has become of utmost concern to the corporations. They are attacking this problem by either starving whole communities of energy and food, or by selecting what they deem “unnecessary” people and sterilizing them.

This has led to an underground resistance that is attempting to fight the corporate power structure. However, they have no magi, no weapons, and are really a minor irritant to the corporate structure.

Though, the resistance may win its freedom if it can merely bide its time. Some say that the mist is clearing, even lowering. Maybe someday, things will return to the way they once were. Maybe.



THE CHARACTER

Name: Rebecca Ryan

Alias: Brigid “Bux” Kildare

Nicknames: “Buxom”, B. B. , B.K.

Age: 22

Born: 2462 Aug 15

History: She spent her early years in the care of her mother and father. Her father was a noble. When her mother passed away a local mage noticed her solving a Rubik’s cube. She always had an affinity for solving puzzles and making sense out of what most would deem as chaos. The mage noticed right away that she was very intelligent and had great potential as a mage herself. She joined the mage academy late in her life at the age of ten; she excelled skipping several years of the normal 20-year mage course. She was a prodigy and understood her lessons immediately. During her tenth year (she had only spent three years on the program at this point) she was expelled. She was expelled for assault. She beat up five boys. Though, they way she tells it, they assaulted her first. However, she had a few bruises and between her five attackers there were three broken jaws, two broken femurs, ten broken ribs, and one boy was hit so hard in the crotch a vein ruptured in his anus. Brigid was able to do this because she had, and continues to practice several martial arts. She enjoys the idea of logic applied to motion as a means of meditation and discipline. Although she is certainly no master, she can defend herself in most situations. The magistrate called her “assault” an excessive use of force and expelled her from the academy. This can be traced as the root of her hatred and dislike for both hypocrisy and authority. In order to keep academy secrets secret expulsions and their families are exiled to the mist. After her expulsion, her father was sentenced to live in the mist and supposedly died there, before she could be sent to the same fate one of the boys she attacked allegedly helped her escape. He was reprimanded, but not expelled. After arriving in the eastern territory of the northwestern continent she took up a new name and a new life. Doing odd jobs here and there for five years. At the age of 16 she wound up as a farm hand in one of the very few small towns left, above the mist. She spent the next 6 years there. During which time she took up wearing a bodice. Brigid had always had chronic back pain because of how kind puberty had been to her. And the head of the farm where she worked discovered that she had been stealing his magi created pain pills to compensate. The head of the farm didn’t want to fire her, because she worked without complaint to this point. His wife, who was a short and stocky, but very well endowed for her frame, gave Brigid a very old bodice. The antique bodice supported her endowments much better than a modern bra thanks to the strong whalebone in the bodice’s frame. It alleviated much of her back pain. When asked why she just didn’t have the magi reduce her breast size she responded, “I like who I am. The Magi do not. There isn’t a single mage the wouldn’t turn me in and even if they wouldn’t, I can’t take that chance because what the Magi authorities would do to my whole body pales in comparison to a slight back problem.”

She currently works for an airship full of water miners and mercenaries. She, oddly enough, works as the ship’s mage. She obtained the job thanks to providence. She was part of the ship’s maiden voyage as a passenger. The village in which she lived had come upon hard times, they couldn’t afford water packs to power their equipment and she decided to stow away on the ship to attempt to steal some of the water onboard. During which, the assigned mage attempted to sabotage the ship once it became apparent that the captain wouldn’t adhere to the agreements laid out in her contract. The Captain elected to take water to the small village that Brigid had come to call home before taking it to the main city. The mage protested by supposedly breaking the engine beyond all repair. Brigid knocked out the mage before he could escape, stole his matter gauntlet and before the ship plunged in to the mist was able to repair the damage done. The mage escaped from the ship once they made port, he contacted the Academy to tell them of someone who knew how to use a Matter Gauntlet, but wasn’t a member of the magi. This led to a manhunt in the village. The Captain offered Brigid an escape if she would take up the mantle of ship’s mage. Afterward, the Captain gave Brigid the honor of naming the new ship, since she would be the one taking care of it.

She named it Isbri
"Mistress of the Four Winds,
Mother of All which Dwell in the Air,
Eternal Antagonist of the Lords of Law,
She who Breathes the Life of the World,
The Bringer of Gales, Hurricanes, and Tornados."

Brigid is smart and strong, but because of her history she has some intrapersonal issues. Her years in exile caused her to avoid relationships and moving from job to job means that her ability to communicate is sub par. Her high intelligence and quick thinking means that she’s usually three steps ahead mentally of those around her. The problem is that she’s unable to communicate effectively where she is in her thought process. This leads to her dismissing others around her as intellectual infants and outbursts of anger when those around her “don’t get it.” She also conflicts with authority and tends to take any opportunity to jump ahead and ignore what the authority says to do in order to accomplish the same task more efficiently. Many employers did not appreciate this trait. This has led to several conflicts with her employers as well as the Captain on the Isbri. In fact, the only ones who ever seemed to encourage this personality trait were the old couple that ran the farm she worked on. Which is why she has such a strong attachment to them. She also has odd relationships with men and often assumes that they all have a singular intent. Though she is not above using her body to manipulate men to get what she wants, every time she succeeds she thinks less of the male gender.

The first impression most of her is almost always wrong, and she delights in proving that fact. Though this process usually alienates people, those who stick with her find her to be a loyal friend with a steadfast sense of right and wrong. She quoted Mark Twain once by saying “The mark of a true friend is someone who will stick by you even when you’re wrong, because almost anyone will stick by you when you’re right.”


Mega Kudos if you took the time read that.

Wednesday, November 26, 2008

Brigid "Bux" Kildare

So, I'm on vacation, and just drawing random things. This is just a speed character design done in a couple hours. The design itself is a tribute to Kei of Dirty Pair Flash, it is not Kei.

---

there's way more, but I'm not going to write it all down.

Thursday, November 20, 2008

Fingerlickin Good

This was an experiment. I worked on this for months and it was going nowhere. Then one day in class we had a discussion about what makes something look like it recedes and something look like it comes forward. To be honest, I felt like ever "rule" that was listed could be broken. Even though I suggested a few myself. This piece I'm experimenting with those ideas and attempting to prove a few things. The background can still be saturated, and have warm colors. The foreground can be slightly desaturated and have cool colors. Contrast only plays a role depending on context, and so on and so on.

Ultimately, as with all my paintings, my goal is to make something visually striking. Something you look at and go, "woah, that looks cool" This was made AFTER Forest God and is an example of me trying to live up to it but not succeeding.

This, similarly to Forest God wasn't entirely thought out. Sure, with this one I had a general idea of "I want a Daemonette standing over a Space Marine" but beyond that, I had no real plan. I just started off with some shapes, found what I liked, upresed and detailed it. The process is detailed here

Forest God


This is my new bar. Occasionally something will come out of me that is way better than I ever expected and it sets a new bar for me that I try to meet with every piece I make subsequently. Many times I don't meet it, but at some point I eventually do meet it, continue to meet it and eventually set a new bar.

Honestly, this is just a response to how fucking stifling school is. There's no room for imagination. There's room for meaning, brooding, thinking, etc etc. But putting paint to canvas with no intention and just letting what happens happen is totally frowned upon.

I started making this without thinking. There was no drawing, no planning, just putting "paint to canvas." Sure, eventually, once I had an idea of what I was going for. I started to adjust my thinking and started painting with intention. But even those thoughts changed. Originally this was going to be a Lich character like from Warcraft. The face was a skull, and the surroundings were all blue. That should give you an idea of how much it changed.

Aang Finished


In case it isn't totally obvious, by the time I got to Aang I was burnt out. If I ever do something like this, I'm going to post these things all at once. The prolonged month seemed to really kill the impact of what I was doing. Also, I imagine if I were doing this as a commissions or as part of a job all of this stuff would be required all at once. Indeed most of it was finished all at once, and this prolonged thing to avoid flooding people's inbox was just foolish.

Anyway

My attitude towards Aang was always, that he was the most Adult of the four kids. I sometimes hear children talk about what it means to be mature and they always touch on ideas that I don't agree with. Maturity does not mean an absence of fun. Maturity does not mean brooding. Maturity is knowing your faults, but still dealing with them. Knowing who you are, what you're about and sticking to that. Aang was the most mature of the entire group.

because of this I feel he needed to change very little. He was fine the way he was. He merely went through puberty. He's full grown, muscular (as martial artists who master several kinds of martial arts tend to be), and handsome. Or at least I tried to make him handsome.

Aang





Sunday, November 9, 2008

The Rest of Sokka Week





About the design:

Sokka, like his sister, is a difficult character to describe and ultimately translate. Like Toph, he is a character of contradictions. For example, he usually comes up with the plan that saves the day, but at times acts completely oblivious and stupid. Sokka basically exists for two purposes, to move the plot along, or be funny.

He also is a ladies man. No one who watched the series didn't realize this. He even gave some of the best advice for attracting women ever. "Maintain maximum aloofness." Anyone who knows anything about attracting women realizes that this is completely accurate.

He's smart, atheltic, funny, and understands the opposite sex despite being a mysoginist. I know quite a few people like this. So I based the design on those people. He's tall, handsome, confident, and has a shit eating grin. He's a douche.

A douche we love.

There, a short description. Finally. --- Must. Resist. Urge. To. Elaborate.


Sorry about not updating. I simply haven't had the wherewithal to do it. I mean, not only am I working on other art, but classes and stuff are getting in the way. Like yesterday I spent 8 hours writing a paper for Economics. It's getting towards thanksgiving and a lot of teachers have major stuff due just before thanksgiving. Their logic is that if you get all of the important stuff in before thanksgiving, then students can enjoy their vacation. That's true, but still it puts a lot of pressure to get stuff done.

I'm the kind of guy that likes to get stuff done the second I get it or a week or two before it's due. Like all of these things I'm posting were done a month and a half ago. So I'm trying to get stuff done early and it's taking up most of my time.

Getting sick and being in school is really putting a damper on this whole thing, isn't it?

Oh well. One more week. Next up Aang.

I'm sad that Aang gets no love. I actually have alot to say about him.

Wednesday, November 5, 2008

TYL Sokka Old Costume and Fire Nation Costume

Tuesday's Normal Wear
Sorry, Election = shitty connection for some reason
Wednesday's


This one's on time woot woot












Monday, November 3, 2008

TYL Sokka Adult Costume


I actually have a lot to say about this, but I don't have the wherewithal to write it right now. Tomorrow I'll do it. I promise

Sokka
Age: 25
Height: Between 5’7” and 5’8”

About the design:
“A buffet of manliness.”

longer description coming soon

Sunday, November 2, 2008

TYL Katara Special Costumes

Misato
I wound up tossing this one. It wasn't up to par in terms of quality.

Yoko
I like this one way way more.

Saturday, November 1, 2008

TYL Katara Adult Swimwear


Almost done with Katara. Shame too, she was my favorite.

Thursday, October 30, 2008

Three For One

Sorry about missing yesterday's update. Like I said, I felt myself getting sick, so after school I downed some NyQuill and went right to bed. I woke up about 10 minutes before I had to get to class today, so I wasn't able to upload the images this morning.

Today, I give you two Katara images and one special image of Kei as an apology.

TYL Katara Second Fire Nation Costume

and

TYL Katara Swimwear

and Finally
Kei- "Yuri, not now."

Part of me wants to make a Beat Angel Escalayer inspired image with Kei as Escalayer and Yuri as that purple haired robot chick. Some of you know what this means.

Wednesday, October 29, 2008

TYL Katara Fire Nation Costume




Late again.

I feel like I'm coming down with something. I think it's the flu or something. Damn viruses.

Monday, October 27, 2008

TYL Katara Old Costume



Sorry, this one is late. I had too much to do today. Oh well, at least it's up at the same time as the DA one.

Sunday, October 26, 2008

TYL Katara Adult Costume

Katara
Age: 24
Height: Between 5’6” and 5’7”

About the design:
I’m going to try to make this much shorter than the Toph thing. Hopefully I can avoid an inane wall of text that no one will really give a shit about.

I actually had an idea for an older Katara a while ago. Deviant Art removed that painting for some reason, but some of you may remember it. (It’s in one of my blog posts if you’re interested in seeing it.)

Katara is a difficult character to pin down, describe and ultimately translate. Whenever I see a description of her, I usually find that it either exaggerates or glosses over her flaws. As such, I think it’s hard to really portray an older Katara wrong. Instead of focusing on what not to do, you have to pin down one of many possibilities.

I think Katara is one of the most accurate depictions of an adolescent girl ever put to TV. In the series her personality is volatile and ever changing. One moment she’s the voice of reason, the next she’s trying to justify stealing or committing murder. In the first season her attitude towards Aang changes and fluctuates from admiration, to jealousy, to maternal, and so on and so on.

As Katara would age, and as puberty passed, this volatile nature would probably go away, or at the very least, be subdued. Most likely, it would merely be subdued. Rarely does a character trait that overwhelming just dissapear. So with this design I want to give a hint of that youthful volatility but still communicate that she had matured as well.

Physically, I wanted to describe this design as “A babe that exhibits a beautifully controlled and asymmetric flow.” I wanted her body to have kind of a wave like quality to it. Her stance is the first attempt to communicate this. All of her weight is on one side giving her an asymmetric balance. Her features (hips, breasts, shoulder, hair, etc.) culminate to give this wave like quality across the countour of her left side, but then there is a much more rigid right side to counteract and balance the figure. This decision further compliments my idea of giving her a kind of under control volatility. Were she to shift her weight, surely she would be more stable, but she chooses not to. She remains stable by conscious choice of how to balance herself.

I also wanted her to be attractive. I wanted her to look kind of like a model. She needed to be “a siren godess.”

To that end, I also chose to age her face a bit. Pick up any anatomy book, any good one at least, and you’ll find a basic layout of how a face can change over time. The fact is, what is said is not gospel. Not all faces grow and change like that. But , our faces do indeed change as we age. Yet, we remain recognizable. I changed Katara’s face to appear more adult, but still retain her innate attractiveness.

I’ve been trying to do that with all of these characters. Age their face, but keep them recognizable.

I also chose to make her well endowed, and to give her shapely hips. I did this to communicate that she’s gone through puberty. I put these two elements together in a way that I think makes her very attractive and shows her obvious age. When it comes to endowments, with Toph, that was just ridiculousness, this attempt is meant to be attractive. Of course, whether or not I succeed is based entirely on the viewer’s tastes. Her hips and legs are thicker to give her a kind of dancer like quality.

Honestly, I read through all of this and think I succeeded more in my previous painting than in this character design. Oh well.


Looks like I failed in making this shorter. Oh well. Maybe Aang’s or Sokka’s will be shorter.

Sorry for the blathering once again.

Saturday, October 25, 2008

Toph 10 Years Later Cosplay


And we're finished with Toph.

Initially I gave her very spiky hair and through the course of making all of her costumes, noticed that with the spiky hair, the figure, and the lipstick she looked a lot like another character. I changed the spiky hair the day I posted the first one because more than a few people made a compelling argument to do so. But with this, I kept the spiky hair for shits and giggles

On this whle ten years later thing. I actually found some images that echo some of the things I've done already, both in Toph and in Sokka. I found one image of toph that was pretty much the same pose, same figure, same everything. I found one of Sokka with a certain garment I added after noting a particular Kuruk garment.

In both cases, what I made I made before I saw these images. It's funny, I'm not sure if it's a good thing or a bad thing that another artist would draw similar conclusions to my own. On one hand, I know I'm not crazy to do something. On the other hand I worry about accusations of plagerism. Oh well, what can you do? People will tend to assume that the first thing that they see is the first thing that is created. And that if there is anything else like it, then that thing is a rip off.

Perception. What can you do?

Tomorrow, I BLATHER ABOUT KATARA! HUZZAH!

Friday, October 24, 2008

Toph 10 Years Later New Swimwear


Sorry about this being late. I had some travelling to do.

Anyway, this is Toph in her new swim wear... that never touches the water. Toph is wearing a one piece because in my experience, well endowed ladies tend to prefer the one piece suits when they aren't interested in giving a free show.

I originally planned to have only five images, but after finishing that last one, I thought to myself. "That's rediculous. She'd never wear that. That's just disgusting." So I felt compelled to make something that was a little more-- respectful of her figure.

That resulted in making new swimsuits for all of the other kids, which you'll see later.

Thursday, October 23, 2008

Toph 10 Years Later Old Swimwear

The title is self explanatory. The material is less restraining than her Fire Nation clothes but still form fitting. This is why her cleavage looks different. It's still the same mass, just a different shape.

Wednesday, October 22, 2008

Toph 10 Years Later Firenation 2


Interesting thing to note, I was working on this while I was working on Toph the Melon Lord. Hence the similarities. Though, this is more-- unified. Everything is rendered as a cartoon, instead of a cartoon head on a more paintingly rendered body and background.